Our Daily Bread (October 2, 1934)

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A Shot in the Dark
 

Released on October 2, 1934: A group of out-of-work Great Depression families band together to create a new village of prosperous farmers.

Directed by King Vidor

The Actors: Karen Morley (Mary Sims), Tom Keene (John Sims), Barbara Pepper (Sally), Addison Richards (Louie Fuente), John Qualen (Chris Larsen), Lloyd Ingraham (Uncle Anthony), Sidney Bracey (rent collector), Henry Hall (carpenter Frank), Nellie V. Nichols (Mrs. Cohen), Frank Minor (plumber), Bud Ray (stonemason), Harry Brown (little man), C.E. Anderson (Schultz the butcher), Earl Askam (farmer), Lionel Backus (barber), Eddie Baker (deputy Sheriff), Jack Baldwin (motorcycle rider), Marion Ballou (old lady), Harry Bernard (Chief), Harold Berquist (father), Bonita (mother), Harry C. Bradley (professor), Lynton Brent (bully), Tommy Bupp (boy), Henry Burroughs (politician), Cy Clegg (lawyer), Billy Engle (Abie Cohen), Florence Enright (gossip number 2), Alma Ferns (Mrs. Hilda Larsen), Clarence Geldart (community member), Harrison Greene (Sheriff), Frank Hammond (undertaker), Doris Kemper (gossip number 1), Sidney Miller (Cohen's son), Edward Peil Sr. (powerhouse employee), Hal Price (threatened bidder at auction), Bob Reeves (George Hannibal), Alex Shumberg (violinist), Harry Semels (Italian shoe maker), Ray Spiker (ex-con), King Vidor (farmer yelling, "Let it go!")

 

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Remember the Sprouts . . .

After I watched this Great Depression drama I was divided several ways while thinking of what to tell you about the story. It takes place in 1934, when the great fist of poverty was crushing the life and soul out of so many good people around the world. I could tell you about the cardboard towns that sprang to life wherever the unemployed and desperately poor gathered. I could tell you about my grandfather's house going up for sale at a Sheriff's auction and, just like in this movie, being sold for a pittance to the folk living on the land.

I could recall stories of my father and mother, married on September 29, 1929, just a month before the great stock market collapse and the beginning of the Great Depression, living for weeks on only carrots and onions from a back yard garden. I could recall the days when tramps and hobos were a proud lot of people who were at one time hard working people in search of the American Dream. I could elaborate on the mention of Captain John Smith, founder of the first permanent American commune-ity in Jamestown.

I could point out the curious number of unknown actors in this film . . . It was made with more than three times the number of actors that were needed . . . and so very many of them had never gotten a paycheck for acting before this film or after . . . . What is going on with that? I could tell you about music director Alfred Newman who earned 9 academy awards in a motion picture career that included over 300 movies between 1930 and 1974.

But I always returned to one man with a passion . . . King Wallis Vidor. Vidor, Texas was named for his wealthy businessman father Charles Vidor, who founded the lumber company that provided the building materials for the growing area. King Vidor is in the Guinness Book of World Records for having the longest career as a movie director spanning 67 years from 1913 until 1980.

During the crushing days of the Great Depression King Vidor wrote this script, directed the movie, appeared for a few seconds in the movie, and even produced it, paying all of the expenses of making the film. I don't know a lot about the man, but just knowing these facts tells me more about the character of this legendary Hollywood director than a thousand biographies could.

He obviously wanted to give downtrodden families crushed by poverty not of their making a message of hope, and there are several good 'sermons' in the movie. One could watch the men digging a canal from the stream to the corn field and talk about moving mountains with not much more than the tiniest amount of faith. But what finally rose to the top of my consciousness in this movie was the scene where city girl Mary Sims, played by Karen Morley, stares in awe at a young sprout of corn sticking it's head out of the dry dirt, growing proudly towards the sky.

Later in the movie, when they are out of hope and out of luck and ready to abandon everything that they had worked so hard for, Mary reminds husband John, played by Tom Keene, about that first little sprout popping out of the fertile ground with nothing but the bright blue sky as its target. When all looks hopeless, remember the joy of the first successes long ago and hold on just a bit longer, because the dawn is only moments away. Pop a big bowl of white kernel popcorn with lots of warm melted butter on it and enjoy the show.

King Vidor in Our Daily Bread
King Vidor in Our Daily Bread
Addison Richards and Barbara Pepper in Our Daily Bread
Addison Richards and Barbara Pepper in Our Daily Bread
Addison Richards meets Barbara Pepper
Addison Richards meets Barbara Pepper
Addison Richards as Louie Fuente
Addison Richards as Louie Fuente
Addison Richards as Louie Fuente in Our Daily Bread
Addison Richards as Louie Fuente in Our Daily Bread
Barbara Pepper as Sally
Barbara Pepper as Sally
Barbara Pepper in Our Daily Bread
Barbara Pepper in Our Daily Bread
Barbara Pepper meets Tom Keene in Our Daily Bread
Barbara Pepper meets Tom Keene in Our Daily Bread
Frank Hammond as the undertaker
Frank Hammond as the undertaker
John Qualen and Alma Ferns
John Qualen and Alma Ferns
John Qualen as Chris Larson
John Qualen as Chris Larson
Karen Morley and John Qualen
Karen Morley and John Qualen
Karen Morley and Tom Keene at the Sheriff's auction
Karen Morley and Tom Keene at the Sheriff's auction
karen Morley and Tom Keene
karen Morley and Tom Keene
karen Morley as Mary Sims
Karen Morley as Mary Sims
Karen Morley faces the rent collector Sidney Bracey
Karen Morley faces the rent collector Sidney Bracey
Lionel Backus as the barber
Lionel Backus as the barber
Tom Keene and Barbara Pepper in Our Daily Bread
Tom Keene and Barbara Pepper in Our Daily Bread
Tom Keene and Lloyd Ingraham
Tom Keene, Mary Sims and Lloyd Ingraham
Tom Keene and Karen Morley see the first young sprout
Tom Keene and Karen Morley see the first young sprout
Tom Keene and Karen Morely
Tom Keene and Karen Morely
Tom Keene and Lloyd Ingraham
Tom Keene and Lloyd Ingraham